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- By Jessica Myers
- 13 Sep 2026
The novelist Paul Bailey, who died in October aged 87, was celebrated for his comic brilliance, profound compassion even for his most flawed characters, and an intelligence that avoided being sterile. His fiction repeatedly investigated the role of remembrance within personal journeys, propelled by sharp, rhythmic dialogue. Apart from fiction, he worked as a memoirist, poet, and moreâthis serves as a roadmap to the books he left behind.
Bailey was a gregarious individual, a master conversationalist with a love for lighthearted gossip, according to a fictional persona. He and friend author Beryl Bainbridge would watch the serial drama Coronation Street and debrief by phone. This pleasure in gossipy exchanges shines through in his novels the book Trespasses (published in 1970) as well as Peter Smartâs Confessions (dating to 1977). Each includes a central male figure surrounded by funny, annoying, over-the-top characters, frequently family members whose influence is inescapable. âWhy would anyone desire normality?â Ralphâs mum questions in Trespasses when he reveals he is gay. Comparable to hanging out with your wittiest, boldest friend.
The novelist penned brilliantly about aging, early and late in his career. His initial fiction At the Jerusalem (from 1967) details the life of Faith Gadny while she adapts to a nursing home, where fellow residents provide kindness absent in employees, whose concern through questions âWhy not view the TV, ladies?â. Within his second-last book Chapmanâs Odyssey (2011), an elderly hospitalized man moves between clashing with physicians (âI only drink superior winesâ, he affirms after reprimands over liver tests) and being flooded by memories from his parent, romances, fictional icons including Pip by Dickens and Emma by Austen. The two works include funny exchanges but marked by impending endings. In Baileyâs fiction, grins are unreliable. Within At the Jerusalem, âthe matron smiled, shut the smile off quicklyâ; Mrs Gadny laughs nervously upon challenge to her conduct. In that novel, Harry cautions that âmy smiles arenât what they seemâ. The audienceâs grins, though, are real.
In addition to fiction, Bailey was a gifted memoirist, publishing two autobiographies. An Immaculate Mistake (1990) is a masterwork of memory, its title derived from his mumâs statement calling him âour errorâ and saying he shouldnât exist. (âShe was old now, and letting go of her secrets,â he comments. âThis secret, she realized, would intrigue me.â) This book reveals the origins of flawed, caring, annoying mothers and fathers in his novels. It likewise portrays an evocative portrait of a boy discovering his sexuality during the mid-20th century, when homosexuality was illegal, and his relatives considered it strange if a male child gifted blooms to his parent; and of a would-be thespian (Bailey acted before writing) who could recite Hamlet as a teen. His subsequent life story the book A Dogâs Life (published in 2004) concentrates on days with his pet Circe, his ex-partner David, his affection for Romaniaâthat influenced subsequent books such as the novel Kitty and Virgil, the title Uncle Rudolf, as well as The Princeâs Boyâand plenty of gossip, including a tale about Iris Murdoch calling an audience member an âidiotâ.
Paul Baileyâs books are generally briefâthe notable Old Soldiers (from 1980) is under 100 pagesâhowever, for a more condensed choice, sample his verse from his later career. The pair of volumes the poetry collection Inheritance (2019) and also the title Joie de Vivre (released in 2022) display his humor, compassion, accuracy in brief format. These poems are full of mortality and existence. Two romantic motifs repeat: about his parent (âNow Iâm closerâ/ I have to sayâ/ than in lifeâ) and for his partner Jeremy Trevathan. In that piece, he depicts the pleasure in âwatching an idiotic TV entertainmentâ together, concluding with: âItâs remarkable, this simple act of consuming cheese and wine as darkness falls.â
It is widely accepted that the authorâs most expansive book remains Gabrielâs Lament, a Booker Prize finalist in 1986. (He also judged the prize in 1982, an experience he despised.) This work Bailey felt proudest of, despite the fact âit drained me. It took everything out of meâ. It relates the tale of Gabriel Harvey, whose mum disappears and whose father turns into an unbearable snob following a financial windfall, with possible connections. Itâs a depiction of the city in that era, a story of mental breakdown, and both comic and tragic similar to his entire output. Additionally, it prompted a subsequent book, Sugar Cane (1993), that he investigated by going to such places to watch.
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